Washington, D.C.: [Artisanal], [1990s]. Unique copy. Pristine. Medium folio (46x32x5cm; 18"x12.5"x2"); 180 leaves (360pp). Half leather in full-grain aniline black; boards covered in laid mulberry stock. All paperblock edges marbled with crimson and black mottling. Endpapers in Turkish marbling of green and metallic gold against amaranth red. Leaves of heavy..... More

Vienna: Wiener Secession, 2000. First Edition. Laid-in note signed and inscribed: "Dear Brenda—I wanted you to have the catalogue of my new (solo!) work. Best regards, AA Bronson." Quarto (30x21cm); 40pp. Photographs throughout. All text in parallel German and English. Black card covers over sewn gatherings. Title and author's..... More

Garden City: Doubleday, Doran & Company, 1930. First Edition. Octavio; publisher's black cloth boards, red-lettered spine and cover (with logo) in pictorial dust jacket. 321pp. Light wear to cover but in Very Good condition, tear in the top right corner of upper flyleaf. Light spotting on title page. Internally clean..... More

Portland, ME: Thomas Bird Mosher, 1913. First Thus, Limited to 700 copies. Octavo; publisher's parchment over boards in original white dust jacket, paper-covered slipcase; xxxv,[1],295pp. Minor wear to jacket extremities including a few small chips and closed tears, spine panel a shade toned, slipcase even more so toned at extremities..... More

New York: Gotham Book Mart & Gallery, 1971. First Edition. Oblong Quarto (22.5x30x1cm); 72pp. Graphic black-on-fuchsia saddle-stapled covers. Multiple B&W reproductions on all pages. Slight sun fading near the spine edge, else unmarred and unmarked. An early compilation of the advertising sketches Warhol did at the start of..... More

Milan and Rivoli: Edizioni Charta and Castello di Rivoli Museo d'Arte Contemporanea, 1992. Anteprima 5 of the Castello di Rivoli Anteprima series. First Edition. Small Quarto (18.5x18.5x1cm); 24pp, including exhibition history and bibliography. Eight full-page photographs, two of them in doublespreads. Text within the volume entirely in Italian; an English..... More

New York: Hollis Taggart Galleries, 2000. First Edition. Quarto (29x23x1.5cm); 184pp, including bibliography. Richly illustrated throughout with full-page color plates and many background, reference, and documentary images. Illustrated card covers with a purple ground. Some slight signs of storage pressures on covers: faint scuffing of coating (without color loss)..... More

New York: Viking Press, 1925. Later Edition. Octavo; publisher's cloth in pale grey decorative dust jacket printed in red and black; 327pp. Jacket extremities and spine panel rather toned with tiny chips along margins and a hint of soil, corners bumped, top textblock edge rather dusty, else a Very Good..... More

Berkeley: University Art Museum, 1973. First Edition; one of 2000 copies printed. Oblong quarto (20.5x25.5x1cm); too avant-garde to be paginated, but we used our fingers: [136pp]. Almost all pages devoted to B&W full-page photographs of Terry Fox’s performance art. Photographic wraps. Covers and textblock published with biblically rounded corners..... More

Washington, D.C.: The Smithsonian Institution, 1942. First Edition. Small Octavo (23x15.5cm); 53pp, augmented with 12 additional unpaginated plates; includes bibliography. In addition to the 12 plates, illustrated throughout with 21 documentary figures embedded in the text. Flecked gray governmental card covers, saddle-stapled. Covers toned along spine with a...... More

New York: Printed for the Members of The Limited Editions Club at the Press of A. Colish, 1971. First Thus, Limited to 1500 copies of which this is no. 432. Two volumes; quarto and octavo; the former bound in full maroon pictorial cloth, the latter in maroon cloth over marbled..... More

London: George G. Harrap & Co., 1922. First Edition. Small quarto (10.5" x 8"); [viii], 9-157, [158-160]pp. Twenty-four illustrations (12 color plates and 12 black and white), plus vignettes, all present. Publisher's white cloth with black lettering and blue illustration. Gilt top edge. Missing dust jacket. Housed in custom black..... More

London: Eyre Methuen, 1977 (copyrighted by Isherwood in 1976). First Edition. Signed by Isherwood without inscription on full title. Octavo (24x16x2cm); 252pp. Jacket with young Isherwood photographed by Humphrey Spender on the front; older Isherwood drawn by his lover Don Bachardy on the back. Brownish-plum boards with gilt spine stamping..... More