New York: Roy Publishers, 1954. First U.S. Edition. Octavo. 140 pages. Black and white photographs including La Belle et la Bête frontis. Price-clipped photographic dust jacket. Green boards with spine stamped in gilt. Dust jacket is chipped along edges with soiling and rubbing throughout, predominantly to edges. Spine..... More

New York: Reynal & Hitchcock, 1944. First Edition. Signed by Arthur Miller at title page without inscription. Octavo. 179 pp. Illustrated dust jacket with $2.00 price present. Yellow boards stamped in black and red. Dust jacket chipped along edges with general soiling and smudging and tape mending to..... More

New York: Delacorte Press, 1972. Stated First Printing. Octavo; 224 pp. Photographs from the film throughout. Illustrated dust jacket with $7.95 price intact; book in plum cloth with gilt lettering to spine. Jacket rubbed along edges with light creasing to inner flaps, but with no chips or tears. Boards are..... More

Jefferson: McFarland and Company, 1996. Tall octavo; x, 518pp. Photos and illustrations throughout. Publisher's black cloth with gilt lettering. No dust jacket, as issued. Boards are sturdy and square with only very faint shelfwear and a few light superficial scuffs to cloth. Binding is sound and pages unmarked. Not an..... More

New Brunswick, NJ: Rutgers University Press, 1995. First Edition. Large octavo; publisher's photo-illustrated card wrappers; xiv,[2],252pp.; photographic illus. throughout. Corners a bit bumped, old price sticker to rear cover, else Very Good, internally clean and sound. More

Philadelphia: J.B. Lippincott Company, [1971]. First Edition. Octavo; publisher's cloth in white decorative dust jacket retaining original price ($4.95); 145pp. Light shelf wear, jacket slightly soiled, hinges starting to loosen, faint dampstain to fore-edge of early leaves, else a Very Good, bright and sound copy. Basis for the..... More

Minneapolis, MN: Artist's Press, 2000. Limited First Edition. Signed by David Fury with brief inscription to previous owner and numbered 82 of 500 Limited Special Edition copies. Octavo. 360 pp. Photographs, some color. Photo-illustrated dust jacket. Black boards stamped in gilt. Metallic endpapers. Publisher's limitation certificate laid in... More

New York: Grosset & Dunlap, 1932. First Edition; Photoplay Edition. Signed by Fay Wray with brief dedication on front free endpaper. Octavo; [vi], 249pp +1 ads. Publisher's green cloth with black lettering. Black topstain. Photo montage endpapers. Missing dust jacket. Boards lightly shelfworn with a small puncture to middle of..... More

New York: Grosset & Dunlap, [1931]. Photoplay Edition. Octavo; 334pp + 2 ads. Four photo-stills, all present. Illustrated dust jacket over orange-yellow cloth with black lettering. Jacket rubbed at corners with tugging and a few tiny tears at spine ends, some general smudging and spotting down spine and back panel..... More

London: Michael Joseph, 1945. First Edition. Small octavo; 224pp. Black dust jacket with yellow lettering and 9/6 net price intact; book in black cloth with gilt lettering to spine. Produced in conformity with war economy standards, per note on copyright. Jacket chipped at spine ends with loss to author's first..... More

Burbank, CA: Technicolor Inc., 1994. Second Edition. Signed by Basten on half title without inscription. Quarto. 253 pp. Black and white and color illustrations and photographs throughout. Illustrated dust jacket. Pink boards stamped in gilt. Illustrated endpapers. Dust jacket rubbed along edges with a few very short closed..... More

New York: Charles Scribner's Sons, 1909. First Edition. Octavo; publisher's blue pictorial cloth stamped in gilt, green, and white and signed in image "MA" by the designer Margaret Armstrong, top edge gilt; [6],162pp.; eight leaves of color plates, color pictorial title page. Light shelf wear, spine a bit toned and..... More

New York: Frederick A. Stokes Company, 1914. First Edition. Octavo; publisher's red pictorial cloth stamped in black and gilt; [8],373pp. General shelf wear, corner and spine ends a bit softened, spine gilt rather dulled, textblock uniformly toned due to inferior paper stock, contemporary ownership signature to front free endpaper, else..... More