New York: Alfred A. Knopf, 1928. First U.S. Edition. Octavo. 99 pages. Printed dust jacket. Apricot boards stamped in silver. Dust jacket is lightly chipped along edges with a couple short closed tears radiating from edges. Boards show some light dust soiling along edges. Brief exposure to paper..... More

London: Printed by W. Bowyer and J. Nichols for T. Cadell, 1772. Second Edition. Octavos (20 cm); xi, 244pp; vii, 276pp +1ad. Both volumes full bound in contemporary mottled calf with red and brown spine labels and gilt stamping. Marbled endsheets. Both bindings generally scuffed and rubbed at all edges..... More

Ciudad Trujillo -- Republica Dominicana: Ediciones "La Poesia Soprendida" Coleccion "El Desvelado Solitario," 1944. First Edition. Inscribed by Cartagena Portalatin to French surrealist Andre Breton with inscription, "el gran poeta que tanto admiro, Aida." Quarto. [12] pp. Three vignettes by Spanish surrealist artist Grenell. Die-cut navy blue wrappers decorated in..... More

[San Salvador]: Impreso en los Talleres Tipgraficos de Diario Nuevo, [1943]. First Edition. Oblong octavo. 45 pp. Original printed green wrappers. Ex-library copy with accession and de-accession stamps to front. Wraps lightly edgeworn with some fading. A manifesto from the Nicaraguan-born poet and essayist, and published here with..... More

London: Printed for Private Circulation, 1871. First Edition with a stated limitation of 156 copies. Two octavo volumes. 596 & 625 pp., with running pagination along bottom edge and individual volumes with their own pagination along top. Bound in modern black cloth with gilt stamping to spine and new endpapers..... More

London: Leonard Smithers, 1896. First Thus. Octavo. 47 pp. "Embroidered" with nine drawings by Beardsley, including frontispiece, complete. Beveled green boards decorated in gilt. Housed in custom-made slipcase. Boards slightly warped and rubbed at extremities, edges and corners bumped, and spine ends nudged. Gilt at front rubbed with some..... More

[Mexico]: Tezontle, [1952]. First Edition Stated. Slim octavo (20cm.); publisher's grey pictorial card wrappers; 44pp. Light wear to wrapper margins, a hint of dust-soil, else a Very Good, fresh and unopened copy. Inscribed and signed by the author on front free endpaper. Small poetry collection by the notable..... More

San Francisco: City Lights Books, 1961. Apparent (per Dowden) intermediary between the Fifth and Sixth Printings, with black inside covers (instead of the usual white), seven-line publisher's statement on back, and no printer's statement. 16mo (6.25" x 4.75") 100pp. Printed black and white wraps with $1.50 price on back. Covers..... More

Boston? ca. 1824. Pictorial broadside (27x23cm.) adorned with two woodcut illustrations. Stock quite wrinkled and worn as though the leaf had been crumpled up and then ironed back out, smallish losses mid-leaf including one affecting woodcut illustration of the beautiful woman, another loss affecting text of the final two stanzas..... More

London: Poet & Printer, 1966. First Edition. Small octavo. 35 pages. Printed wraps. Published the same year as Carter's first novel. Rubbing and light wear to edges of wraps. Rusting to staples but text unaffected. Binding sound and pages unmarked. More

London: The Folio Society, 2016. First Thus. Octavo. 161 pp. Black and white photographs. Photo-illustrated decorated boards. Housed in publisher's slipcase. Boards show very light rubbing to extremities with a few inoffensive smudges to rear. Binding sound and pages unmarked. Slipcase with a few insignificant scuffs, else sound..... More

Londra [or Livorno]: Si vende in Livorno presso Tommaso Masi e compagni, 1786. First Edition. 12mo. [4], xxiii, [3], 96, [2], 122, [2],3-42, [2], 3-99, [1], collated and complete; Bentivoglio signatures misbound [A3, A5, A4, A7, A6, A8, 9, 10] though also complete. Frontis; engraved title page. Text in Italian..... More

New York: Frederick A. Stokes Company, 1892. First Edition. Quarto. 71 pages. Six full page color plates after Maud Humphrey's work. Humphrey was a water color painter, suffragette, and mother of Humphrey Bogart. Beige cloth with floral pattern overlaid. Stamped in gilt and silver. Top edge gilt. Boards are..... More