New York: 125th Street Apollo, 1940. Broadsheet handbill (14x22cm); halftone photographic illus. Light foxing, tiny crease to bottom right-hand edge, else Very Good. Handbill promoting the updated 1940 edition of Lew Leslie's musical review "Rhapsody in Black" at the 125th Street Apollo in Harlem, home of "America's Smartest Colored..... More

Providence, RI: Matrix, 1981. Stated First Edition. Oblong octavo (20cm); 80pp. Publisher’s photographic dust jacket; stiff white wrappers; red endsheets. Black-and-white photographs throughout. Dust jacket bumped, scuffed, smudged, and toned. Boards a bit bumped and toned. Binding sound. Textblock and endsheets clean; interior pages lightly toned at edges. Previous owner’s..... More

Stanford and Cambridge: Cantor Arts Center at Stanford University and the MIT Press, 2018. First Edition. Quarto (30.5x24.5x2.5cm); 232pp, including bibliography. Contact sheets reproduced ad infinitum, with many additional background and documentary images of Warhol-istic monkey business on every page. Photographic covers on heavy pasteboard with case binding over..... More

Detroit: Broadside Press, 1974. First Edition. Octavo; 56pp. Printed wraps. Mild wear to edges; binding sound; pages unmarked; Very Good or better. Includes "Sewerplants Grow in Harlem," "Revolution Is One Form of Social Change," and "Blackstudies" among others. Uncommon. More

New York: St. Marks Poetry Project, 1972. First Edition. Staple-bound quarto (28cm); unpaginated. Publisher’s wrappers printed with black text. Wraps toned, bumped, and smudged. Front panel shows two nickel-sized coffee stains. Binding sound. Textblock, endsheets, and interior pages toned. Very Good. Inaugural issue of Unnatural Acts, a collaborative..... More

New York: Rinehart & Co., 1955. First Edition, First Printing with "R" present on title page verso. Octavo (21cm.); publisher's cloth in black pictorial price-clipped dust jacket; xiii,[1],493pp.; pictorial double title-page printed in green and black, illus. throughout. Jacket extremities a bit chipped and worn with coin-sized loss at top..... More

New York: John Day Company, 1931. First Edition. Octavo (19.5cm); publisher's black cloth lettered in red with pictorial paste-on to upper cover, red topstain, pictorial endpapers; vi,182pp.; illus. throughout. Rubbing to spine ends and corners, else a Very Good, bright and sound example, remnants of dust jacket only laid in..... More

New York: New York Avant Garde Festival, 1975. First Edition. Large pictorial poster (90x61cm); single sheet. Poster creased from previous folds and bumped along edges with a few small tears. Nevertheless Very Good or better. Photomontage poster accompanying this pseudo-annual avant garde festival founded by the cellist and..... More

New York: New York Avant Garde Festival, 1980. First Edition. Large pictorial poster (87x58cm); single sheet, double-sided. Poster creased and post-marked for mailing. Verso toned. Very Good. Delightfully graphic poster for the final gathering of this pseudo-annual avant garde festival founded by the cellist and performance artist Charlotte..... More

New York / Cambridge, MA: New York Avant Garde Festival / Cambridge Arts Council, 1978. First Edition. Large pictorial poster (71x56cm); single sheet, double-sided. Poster creased from previous folds. Verso lightly toned along creased. Very Good or better. Photomontage poster accompanying this pseudo-annual avant garde festival founded by the..... More

[New York: Charlotte Moorman, 1966.] First Edition. Quarto; side-stapled self-wrappers; [3]ll. printed on rectos only. Previous folds, stock uniformly a bit yellowed, else Very Good and sound. Accompanied by original handbill to the same event, held August 20, 1966, in Central Park, and promising chamber music, performance art..... More

[Chicago]: Chicago, Rock Island & Pacific Railroad Co., c. 1875. Small pictorial broadside flyer. Single-sided sheet (6.5x13”) printed in black. Bumped, toned, and chipped, with a few instances of soiling. Verso likewise. Creased lengthwise and widthwise due to previous folding. Torn along creases with tape repair at verso. Good... More

New York: Harper & Row, [1963]. First Edition Stated. Octavo; publisher's cloth-backed boards in white pictorial dust jacket designed by Stanley Eisenman retaining original price ($3.95); [6],216pp. Moderate wear to jacket and board extremities, faint damp spot to upper jacket panel, strip of tape adhesive to jacket spine verso, dark..... More