London: Skeffington & Son, n.d. but ca. 1935. Presumed First Edition ("6th Thousand" on title page). Octavo (19cm); publisher's rose cloth lettered in black; 256pp. Ex-contemporary circulating "Ideal Library" with their rubberstamps throughout, cloth significantly worn, faded spine cloth evidently separated and crudely reattached, front free endpaper lacking and front..... More

New York: Harcourt, Brace and Company, 1944. First Edition Stated. Octavo; publisher's cloth in pictorial dust jacket retaining original price ($3.00); viii,491pp. Moderate wear to jacket margins, spine and rear panels toned, boards rather soiled, else a Very Good, internally clean and sound copy of this uncommon novel by the..... More

New York: G.W. Dillingham Company Publishers, [1904]. First US Edition. Octavo (19cm); publisher's blue pictorial cloth blocked in red and pale yellow, red topstain; 318pp.; frontispiece. Light wear to corners and spine ends, spine rather cocked, rear hinge starting; still a Very Good, bright and sound copy with contemporary Honolulu..... More

London: John Murray, 1907. First Edition. Slim octavo; publisher's green gilt-stamped cloth, top edge gilt; v,[1],62pp. Spine very slightly cocked, else a Near Fine copy.The Australian author's scarce first book, a poetic oral meditation spoken through the medium of the Visigothic queen consort Brunhild (543-613).Provenance: Ownership ex libris to front..... More

London: Macgibbon & Kee, 1970. First Edition. Octavo. 354pp. Printed dust jacket. Purple boards stamped in gilt. Dust jacket worn along edges with a couple short tears and minor nicks; general spotting and smudging. Boards show light shelfwear; corners bumped; binding sound and pages unmarked. A Very Good copy of..... More

Sydney: George Robertson, 1879. First Edition. Octavo; publisher's blue pictorial cloth stamped in gilt; [4],317,[1],2,[12]pp.; text printed in double columns throughout, pictorial ads bound in rear. Boards quite worn and rather soiled, spine cloth toned, textblock foxed throughout; a Good example only, though uncommon in the original cloth. "It has..... More

Melbourne: Reeder Fine Art, [2006]. First Edition, Limited to 500 copies of which this is no. 441. Slim octavo; publisher's pictorial card wrappers; viii,64pp.; illus. throughout. Moderate shelf wear to wrapper extremities, else Very Good and sound. Inscribed and signed by the author on title page to photography historian Larry..... More

Garden City: Doubleday & Company / The Crime Club, 1949. First Edition, stated. Octavo (20.5cm); 188pp. Illustrated dust jacket with $2.25 price intact; boards in black cloth with red lettering to spine. Jacket shows a few shallow chips and a few tears along edges and folds, with some faint scuffs..... More

Melbourne, Victoria, Australia: 1881. Large original pen-and-ink calligraphic and watercolor broadside (ca. 58x45cm.) Calligraphic text written in gilt ink within a wonderfully intricate and colorful watercolor border of finches and flowers--we count at least twenty floral specimens, none of them native to Australia as far as we can surmise. Damp..... More

New York: Viking Press, 1941. First American Edition. Octavo (21cm); publisher's rose blind-embossed cloth, gilt printed paper spine label, black topstain; [8],383pp. Moderate shelf wear, shallow strip of fading along top edge of upper cover, small chip to spine label, two small bleach spots to topstain, textblock toned, especially endpapers..... More

London: Oz Publications Ink Limited, 1967. Single newsprint sheet, folded as issued (29x45in unfolded). Black-and-white photographs throughout; pink and purple illustration at verso. Sheet toned, especially along creases; tears forming in several spots. Nevertheless Very Good or better. Oz Magazine was an underground newspaper closely associated with 1960s international counterculture..... More

Newton, N.S.W., Australia: Tim Johnson, 1976. First Edition. Slim quarto (28cm); publisher's green cloth tape over pink printed wrappers; [46]pp.; halftone photographic frontispiece, text printed mimeograph from typescript. Light wear and toning to margins, else a Very Good and sound example.Scarce self-published collection of "poem paintings" by the Sydney-born author/artist..... More